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Quantum Vibe
Strip 1996 of Quantum Vibe
Today on Quantum Vibe: A vicious killer
Strip 1996 - Click strip above to goto the next strip.
First Seen: Wed 2019-09-11
Story & Art: Scott Bieser - Sci-Fi Adventure Monday & Thursday.
Creepy moves in darkness dares discovery.
Big Head Press

Quantum Vibe

A thousand years in the future, humanity has colonized worlds in nearly 100 galaxies, thanks to Quantum Vibremonic technologies developed five centuries earlier. Other new technologies have created various off-shoots of humanity and extended life expectancies five-fold. The story begins with how a mad scientist and his plucky assistant, along with their robot friend, brought humanity to the stars, and continues with the adventures of some unique people in fantastic places.

Quantum Vibe: This Means War (Part 1) - By Scott Bieser

Remembering L. Neil Smith [ Sep 6, 2021 ]

L. Neil Smith and Scott Bieser in 2009 after receiving the Prometheus Award for The Probability Broach: The Graphic Novel.

I've been having a hard time putting words down here. This is my third attempt at putting together a suitable, or at least coherent, collection of remarks about my friend who discorporated this last August 27th.

I use the term discorporated because that was a euphemism favored by Robert A. Heinlein, the grand master of classic sci-fi who was the author Neil most admired and sought to model his own work upon. It seems appropriate here. One of Neil's most-prized possessions was a letter he received, early in his career, from RAH himself, who told the younger Neil that he had found the correct balance of action, romance, and philosophy in his stories.

I've only known Neil since the late 1990s (which was HOW many years ago? Geebus) but he had a fairly large impact on my life. I found him via The Libertarian Enterprise web-magazine and presumptuously sent a graphic of The Bill of Rights bursting through the Eurostyle don't do this symbol which I'd rendered out in 3D Studio Max, and was an improvement on the low-rez drawing he had put together himself.

So we exchanged e-mails and I made some more art for him on occasion and next thing I knew we were making The Probability Broach: The Graphic Novel together and then I had moved from southern California to Cheyenne, Wyoming, partly to be closer to him as we collaborated on Roswell, Texas and Phoebus Krumm. However. after that Neil wanted to do a sequel to Roswell but I'd gotten tired of the 1950s and wanted to make stories set in the future – which I did when I embarked on my own QUANTUM VIBE series.

Were it not for Neil I don't think there would be a QUANTUM VIBE, or at least nothing closely resembling it. I learned much about storytelling by working with him, and by our association I acquired the core of an audience which sustains me to this day.

We remained friends and I continued to drive the 50 miles from Cheyenne to Fort Collins to hang out with him in the bleachers of the local ice-skating rink, where we chatted while also watching Neil's wife and daughter skating on the ice. On occasion I brought my sons down to join with them and I hope I wasn't too embarrassing as I stumbled around.

But then my wife, E.J., discorporated 40 years early and my family in Texas beckoned my sons and me home to heal, which we did. Neil continued writing stories, maintaining his optimism despite his declining health – he once told me he intended to be the world's first 400-year-old diabetic. I had hoped to return to Fort Collins once or twice to visit, but circumstances prevented me from making the trip, even for his Libertarian Futurist Society Lifetime Award acceptance in 2016.

Another friend of mine likes to speak of having an immortality project, something one does while in the world that makes an effect that continues after one has gone. Neil's immortality project, aside from his daughter Rylla, was his stories, which deserve to be remembered long after all of us have discorporated, ourselves.

-- Scott Bieser

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Transcript For Strip 1996

Panel 1
Background switches to show the arbitrators: Andrews, Sandini, Feingold. Andrews looks completely laid back, maybe playing with a yo-yo. Sandini is all solemn. Feingold looks bored.
Bok (in cameo): De Castries and Roaz agreed for three of the most celebrated Arbiters in the city to render decisions: Harcourt Andrews, Wilson Sandini, and Jed Feingold.
Andrews: … so, we've reviewed the petitions and agreed to consolidate the various cases into Roaz et al vs de Castries et al.
Sandini: So mote it be.
Feingold: Let's get on with this.
Panel 2
Bok narrates from a cameo as de Castries' advogado, Abraham Miller, addresses the bench. Miller is a 'Tin Man,' an android with the memories and personality of a once-living human.
Bok: De Castries and company were represented by the highly-respected Advogado, Abraham Miller.
Miller: Alyss Roaz has unleashed an outrageous wave of violent assaults culminating in the vicious attack on de Castries' domain resulting in 27 casualties, with two requiring resurrections.
Miller: Also, an estimated 15.72 kilomoebits in property damage.
Panel 3
Miller continues. We can see Diana in the background, looking at him with an icy glare.
Miller: As a cover for her scheme, Roaz contracted with this young, inexperienced, so-called 'investigator,' to snoop around sowing discord and suspicion against a respectable beneficencia, Républicains Pour La Démocracie.
Miller: But don't let that sweet young face fool you … this woman is a vicious killer.
Panel 4
Miller jabs a finger for emphasis at Alyss, sitting at the defendants' table with Sergio and Diana and Montoya. Alyss mutters something.
Miller: But Senhora Martelli's crimes pail in comparison with her employers'. This illustrious founder of our city has become corrupted with power!
Miller: She thinks she can just trample over anyone who gets in her way!
Alyss (soto voce): Can't help it I got big feet.

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Quantum Vibe Story Contents © 2021 Scott Bieser
Framing Graphics © 2021 Big Head Press